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Auteur Massimiliano Gioni |
Documents disponibles écrits par cet auteur

Ghosts in the Machine
Titre : Ghosts in the Machine Type de document : texte imprimé Auteurs : Massimiliano Gioni, Editeur scientifique ; Carrion-Murayari Gary, Editeur scientifique Editeur : Milano : Skira Année de publication : 2012 Importance : 224 p. Présentation : ill. en noir et en coul. ISBN/ISSN/EAN : 978-0-8478-3948-3 Prix : 46,42 € Langues : Anglais (eng) Mots-clés : Interaction homme/machine Index. décimale : 704.949 Autres sujets Résumé : A sweeping survey on an evergreen subject—the relationship between man and machines. Featuring more than sixty international artists, this volume surveys the constantly shifting relationships between humans, machines, and art. The book spans more than fifty years of history, tracing various movements’ and artists’ engagement with machines—both low- and high-tech—across generations. The exhibition and accompanying catalogue present a transhistorical reassessment of optical, kinetic, and technological art, bringing together a wide range of work from—among others—Bridget Riley, Hans Haacke, Gianni Colombo, Channa Horowitz, Heinz Mack, Otto Piene, Stan VanDerBeek, and Victor Vasarely. Truly diverse in its scope, the show investigates the ways in which outsider artists, writers, and other cult figures have illustrated the symbiosis between man and machine, including documents and artifacts by J. G. Ballard, Emery Blagdon, Franz Kafka, Marshall McLuhan, Emma Kunz, and Edoardo Paolozzi. A highlight of the exhibition is a reconstruction of Richard Hamilton’s seminal 1955 installation Man Machine Motion. Constructed as a collage of essays, interviews, and manifestos, this publication archives an impressive range of thinking about artists’ fascination with technology. Permalink : https://grandhornu.docressources.org/index.php?lvl=notice_display&id=8043 Ghosts in the Machine [texte imprimé] / Massimiliano Gioni, Editeur scientifique ; Carrion-Murayari Gary, Editeur scientifique . - Milano : Skira, 2012 . - 224 p. : ill. en noir et en coul.
ISBN : 978-0-8478-3948-3 : 46,42 €
Langues : Anglais (eng)
Mots-clés : Interaction homme/machine Index. décimale : 704.949 Autres sujets Résumé : A sweeping survey on an evergreen subject—the relationship between man and machines. Featuring more than sixty international artists, this volume surveys the constantly shifting relationships between humans, machines, and art. The book spans more than fifty years of history, tracing various movements’ and artists’ engagement with machines—both low- and high-tech—across generations. The exhibition and accompanying catalogue present a transhistorical reassessment of optical, kinetic, and technological art, bringing together a wide range of work from—among others—Bridget Riley, Hans Haacke, Gianni Colombo, Channa Horowitz, Heinz Mack, Otto Piene, Stan VanDerBeek, and Victor Vasarely. Truly diverse in its scope, the show investigates the ways in which outsider artists, writers, and other cult figures have illustrated the symbiosis between man and machine, including documents and artifacts by J. G. Ballard, Emery Blagdon, Franz Kafka, Marshall McLuhan, Emma Kunz, and Edoardo Paolozzi. A highlight of the exhibition is a reconstruction of Richard Hamilton’s seminal 1955 installation Man Machine Motion. Constructed as a collage of essays, interviews, and manifestos, this publication archives an impressive range of thinking about artists’ fascination with technology. Permalink : https://grandhornu.docressources.org/index.php?lvl=notice_display&id=8043 Réservation
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Code-barres Cote Support Localisation Section Disponibilité Classement thématique M004011 NEWY 2012G EXPO Catalogue d'exposition LA - Libre accès EXC - Expositions collectives et thématiques Disponible Linda Fregni Nagler / Linda Fregni Nagler
Titre : Linda Fregni Nagler : The hidden mother Type de document : texte imprimé Auteurs : Linda Fregni Nagler, Auteur ; Massimiliano Gioni, Auteur ; Geoffrey Batchen, Auteur Mention d'édition : première édition Editeur : London : Mack Année de publication : cop. 2013 Autre Editeur : Monaco : Nouveau Musée National de Monaco Importance : 400 p. Langues : Anglais (eng) Catégories : Linda Fregni Nagler , Photographie Note de contenu : Textes de Massimiliano Gioni, Geoffrey Batchen et une conversation entre Francesco Zanot et Linda Fregni Nagler Permalink : https://grandhornu.docressources.org/index.php?lvl=notice_display&id=8824 Linda Fregni Nagler : The hidden mother [texte imprimé] / Linda Fregni Nagler, Auteur ; Massimiliano Gioni, Auteur ; Geoffrey Batchen, Auteur . - première édition . - London : Mack : Monaco : Nouveau Musée National de Monaco, cop. 2013 . - 400 p.
Langues : Anglais (eng)
Catégories : Linda Fregni Nagler , Photographie Note de contenu : Textes de Massimiliano Gioni, Geoffrey Batchen et une conversation entre Francesco Zanot et Linda Fregni Nagler Permalink : https://grandhornu.docressources.org/index.php?lvl=notice_display&id=8824 Réservation
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Code-barres Cote Support Localisation Section Disponibilité Classement thématique M006578 FREG MONO Monographies LA - Libre accès IND - Individualités Disponible The Encyclopedic Palace
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Titre : The Encyclopedic Palace : 55th International Art Exhibition : La Biennale di Venezia Type de document : texte imprimé Auteurs : Massimiliano Gioni, Directeur de publication, rédacteur en chef Editeur : Venezia : La Biennale di Venezia - Marsilio Année de publication : 2013 Importance : 2 vols. (306 p. et 446 p.) Présentation : ill. en coul. Accompagnement : boîtier ISBN/ISSN/EAN : 978-88-317-1485-3 Prix : 103,76 € Note générale : Index
Biogr.Langues : Anglais (eng) Catégories : Art Contemporain , Biennale de Venise Résumé : An overview of the state of contemporary art and its ultimate trends. The Encyclopedic Palace is the title chosen by the director for the 55th International Art Exhibition of the Venice Biennale. It evokes the design registered in 1955 with the US Patent office by the self-taught artist Marino Auriti, depicting an imaginary museum that was meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite. Auriti’s plan was never carried out, but the dream of a universal, all-embracing knowledge crops up throughout history, shared by other eccentrics (among them artists, writers, scientists, and prophets) who tried to fashion an image of the world that would capture its infinite variety and richness. Today, as we grapple with a flood of information, such attempts to structure knowledge into all-inclusive systems seem even more necessary and even more desperate. The aim of the 55th International Art Exhibition is to explore these flights of the imagination in a show that—like Auriti’s Encyclopedic Palace—combines works of contemporary art with historical artifacts and found objects. Note de contenu : Volume 1: Exhibition
Volume 2: Participating countries / Collateral eventsIntitulé de l'exposition : The Encyclopedic Palace : 55th International Art Exhibition of La Biennale di Venezia Date de début : 01/06/2013 Date de fin : 24/11/2013 Ville : Venise (Italie) En ligne : http://www.labiennale.org/en/biennale/index.html Permalink : https://grandhornu.docressources.org/index.php?lvl=notice_display&id=7913 The Encyclopedic Palace : 55th International Art Exhibition : La Biennale di Venezia [texte imprimé] / Massimiliano Gioni, Directeur de publication, rédacteur en chef . - Venezia : La Biennale di Venezia - Marsilio, 2013 . - 2 vols. (306 p. et 446 p.) : ill. en coul. + boîtier.
ISBN : 978-88-317-1485-3 : 103,76 €
Index
Biogr.
Langues : Anglais (eng)
Catégories : Art Contemporain , Biennale de Venise Résumé : An overview of the state of contemporary art and its ultimate trends. The Encyclopedic Palace is the title chosen by the director for the 55th International Art Exhibition of the Venice Biennale. It evokes the design registered in 1955 with the US Patent office by the self-taught artist Marino Auriti, depicting an imaginary museum that was meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite. Auriti’s plan was never carried out, but the dream of a universal, all-embracing knowledge crops up throughout history, shared by other eccentrics (among them artists, writers, scientists, and prophets) who tried to fashion an image of the world that would capture its infinite variety and richness. Today, as we grapple with a flood of information, such attempts to structure knowledge into all-inclusive systems seem even more necessary and even more desperate. The aim of the 55th International Art Exhibition is to explore these flights of the imagination in a show that—like Auriti’s Encyclopedic Palace—combines works of contemporary art with historical artifacts and found objects. Note de contenu : Volume 1: Exhibition
Volume 2: Participating countries / Collateral eventsIntitulé de l'exposition : The Encyclopedic Palace : 55th International Art Exhibition of La Biennale di Venezia Date de début : 01/06/2013 Date de fin : 24/11/2013 Ville : Venise (Italie) En ligne : http://www.labiennale.org/en/biennale/index.html Permalink : https://grandhornu.docressources.org/index.php?lvl=notice_display&id=7913 Réservation
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Code-barres Cote Support Localisation Section Disponibilité Classement thématique G003284 VENI 2013F CATA Catalogues LA - Libre accès NOU - Nouveautés Sorti jusqu'au 28/01/2014 G003285 VENI 2013F CATA Catalogues LA - Libre accès NOU - Nouveautés Sorti jusqu'au 28/01/2014